THE UN-HEROIC ACT: Representations of Rape in Contemporary Women’s Art in the U.S.
IMAGES OF WORKS IN THE EXHIBITION
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Yoko Ono’s score for “RAPE”, 1968 ©Yoko Ono. Courtesy of the artist
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John Lennon and Yoko Ono, “RAPE”, 1968, color film, sound, 59’48 min ©Yoko Ono. Courtesy of the artist
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Ana Mendieta, Rape Scene, 1973 (Estate print, 2001), suite of five color photographs, 16 x 20 in. each. © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong & Co.
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Ana Mendieta, Rape Scene, 1973 (Estate print, 2001), suite of five color photographs, 16 x 20 in. each. © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong & Co.
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Senga Nengudi, R.S.V.P. Revisited – Underwire, 1977/2004, nylon mesh, metal springs, sand, 22.5 × 15 × 6 in. ©1977/2004 Senga Nengudi. Courtesy of Bernard I. Lumpkin and Carmine D. Boccuzzi
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Suzanne Lacy, Three Weeks in May, 1977, paper, ink © 1977 Suzanne Lacy. Courtesy of the artist
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Suzanne Lacy, Three Weeks in May, 1977, paper, ink, documentation of performance ©1977. Suzanne Lacy. Courtesy of the artist
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Suzanne Lacy, with Melissa Hoffman and Phranc, Three Weeks in May, 1977, performance documentation. Photograph by Suzanne Lacy
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Lynn Hershman Leeson, Electronic Diary Part III: First Person Plural, 1988, video (color, sound), 28 min © Lynn Hershman Leeson. Courtesy of the artist and Bridget Donahue, NYC
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Carolee Thea, Sabine Woman, 1991, chicken wire, electrical wire, sockets, bulbs, sound, dimensions variable ©1991/2018 Carolee Thea. Courtesy of the artist
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Carolee Thea, Sabine Woman, 1991, chicken wire, electrical wire, sockets, bulbs, sound, dimensions variable ©1991/2018 Carolee Thea. Courtesy of the artist
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Guerrilla Girls, If You’re Raped You Might as Well Relax and Enjoy It Because No One Will Believe You, 1992, digital print, 18 x 24 in. ©1992 Guerrilla Girls
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Jenny Holzer, Untitled (Selections from Lustmord), 1994, cibachrome prints, 14 double images 13 x 20 in. © 2018 Jenny Holzer, member Artists Rights Society (ARS), NYC. Photo: Alan Richardson.
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Jenny Holzer, Untitled (Selections from Lustmord), 1994, cibachrome prints, 14 double images 13 x 20 in. © 2018 Jenny Holzer, member Artists Rights Society (ARS), NYC. Photo: Alan Richardson.
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Jenny Holzer, Untitled (Selections from Lustmord), 1994, cibachrome prints, 14 double images 13 x 20 in. © 2018 Jenny Holzer, member Artists Rights Society (ARS), NYC. Photo: Alan Richardson.
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Kathleen Gilje, Susanna and the Elders, Restored with X-ray, 1998, oil on canvas, 67.5 x 47.5 in., and X-ray, 67 x 47 in. ©2018 Kathleen Gilje. Courtesy of the artist
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Kathleen Gilje, Susanna and the Elders, Restored, 1998/2018, X-ray image on Arches paper, 52.5 x 36.75 in. ©2018 Kathleen Gilje. Courtesy of the artist
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Angela Fraleigh, lonelily loomed into bone, 2011, wig, thistles and porcelain, 17.5 x 13 x 12 in. ©2011/2018 Angela Fraleigh. Courtesy of the artist and Inman Gallery
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Natalie Frank, Little Red Cap II, 2011, gouache and chalk pastel on Arches paper, 30 x 22 in. ©2011 Natalie Frank. Courtesy of the artist and Mitchell and Sandy Sockett
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Jennifer Karady, Former Specialist Brittny Gillespie, 139th Military Police Company, 16th MP Brigade, U.S. Army..., chromogenic color print, 48 x 48 in. ©2014 Jennifer Karady. Courtesy of the artist
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Sonya Kelliher-Combs, Guarded Secrets, 2015, sheep rawhide, nylon thread, porcupine quills, archival adhesive, dims. variable ©2015 Sonya Kelliher-Combs. Courtesy of the artist
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Sonya Kelliher-Combs, Guarded Secrets, 2015, sheep rawhide, nylon thread, porcupine quills, archival adhesive, dims. variable ©2015 Sonya Kelliher-Combs. Courtesy of the artist
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Andrea Bowers, Rape Wrong (Anonymous Protest, Jefferson County Court House, Steubenville, OH, February 1, 2013), 2015, colored pencil on paper, 15 x 22.25 in. Courtesy of the
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Ada Trillo, Claudia, 2015, from the series How Did I Get Here?, archival pigment print, 24 x 16 in. ©2015 Ada Trillo. Courtesy of the artist
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Kara Walker, Untitled, 2016, graphite on paper, 75 x 37.5 in. ©Kara Walker. Courtesy of the artist and Sikkema Jenkins & Co., New York
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Roya Amigh, The Coerced Contact, 2016, thread, paper, pieces of cloth, lace, 62 x 64 x 35 in. ©2016/2018 Roya Amigh. Courtesy of the artist
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Roya Amigh, The Coerced Contact, 2016, thread, paper, pieces of cloth, lace, 62 x 64 x 35 in., detail ©2016/2018 Roya Amigh. Courtesy of the artist
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Naima Ramos-Chapman, And Nothing Happened, 2016, color digital film, sound, 16 min ©2016 Naima Ramos-Chapman. Produced by MVMT. Courtesy of the artist
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Bang Geul Han, Through the Gaps between My Teeth, 2017, generative animation (custom software), charcoal drawing on Stonehenge paper, 72 x 48 in., 60 hours ©2017 Bang Geul Han. Courtesy of the artist
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Guerrilla Girls BroadBand, #GGBBCampus – Stonehill College Poster, 2015, poster, dims. variable © 2015. Guerrilla Girls BroadBand. Courtesy of the artists